Controlling the events simply means going through step by step, making sure weвЂ™re clear about each step, super-slowly, stopping whenever we need to. Two things are vital here: we must speak the count ALOUD and we must CONTROL THE EVENTS. As we did with the LH in the last step, we will tap both hands, following the diagram, away from the keyboard. We now need to start co-ordinating the hands, incorporating the new LH rhythm. Once youвЂ™ve been tapping this for a while, you can play it on the keyboard. Just repeat the process, slowly getting a little faster until you start to get a sense of the feel. Also, you donвЂ™t have to be perfect at this exercise. We always want our ear to tell us that itвЂ™s correct, but trying to get to that point too soon will actually slow us down. DonвЂ™t rush the process by trying to go too fast. Tap as you say the first вЂњ1вЂќ, then again when you say вЂњ+вЂќ, then on the вЂњ3вЂќ and so on. Spend a little time just tapping this hand while counting aloud. The LH dots show the new, more developed LH rhythm. The dots down the left hand side show where the left hand plays, and the dots on the other side show the right hand. If youвЂ™ve learned songs like Alma Mater Blues, youвЂ™ll know that at this stage the count is not about being even and rhythmical, itвЂ™s just a guide to help us understand how the hands fit together. The numbers down the middle of the diagram are for you to count. We donвЂ™t want to be distracted by notes and fingers just now. Because this involves a new thought process, we will set notes and fingers asideВ and just tap out the rhythm with our hands, away from the keyboard. WeвЂ™ll use a diagram which, if you follow carefully and very slowly, should allow the rhythm of both hands to emerge naturally. If you think youвЂ™re ready to try this next level, thereвЂ™s a particular way we can tackle it. Even then, itвЂ™s not hard, but putting the two hands together is a significant leap in difficulty. In the original, the left hand is a bit busier. When youвЂ™re confident with the RH, just play the first LH note and hold it down through the RH pattern, then repeat with the next LH note, and so on. Remember that the sequence both begins and ends on F. For those with some experience of the Accompaniment program, youвЂ™ll see they are the notes of a Bb Major chord. The left hand plays F, D, Bb and back to F. Whenever you play with a recording, make sure itвЂ™s nice and loud so you can hear it over your own playing. Play along with a recording to start to get the rhythm. Play the top finger twice, next finger twice, then fingers 2, 1, 2 & 3. These are all the notes you need, so keep the hand in place with the fingers over their notes the whole time and you wonвЂ™t have to think about finding notes. Stretch finger 2 out to reach Bb вЂ“ the black key. Hold them all down like a chord, so you can see them clearly, and start to feel comfortable with that little stretch between fingers 3 & 5. Put RH fingers 1, 3 & 5 on (from the bottom up) the notes A, C and F. The key is a pattern weвЂ™ll learn in theВ right hand, to which we can add a very simple left hand, which we can develop a little further later.ДЄs always, weвЂ™ll handle one thought process at a time, starting with the notes of the right hand, leaving the rhythm aside. Working this out using note-reading would normally not be possible until you were pretty experienced, but if you follow the steps below carefully, you can learn it even if youвЂ™re a relative beginner. ThereвЂ™s a catchy piano theme thatвЂ™s repeated right through the song, and although it may not be written exactly the same way on the page, we can learn a simple pattern and have it sound pretty authentic. But thereвЂ™s more we can do with the song.

You could take that on after having done a little of the Simply Music Accompaniment program. So thatвЂ™s the accompaniment dealt with in a flash. So really we just have an F chord in the RH, and F, D, Bb and F in the left. You can play an accompaniment for this song using these chords: an F, an F with a D in the left hand, an F with BbВ (top of the three black keys)В in the left, and then back to the F. In fact, this song is even simpler than that as an accompaniment, because,В if you know a little bit about chords,В youвЂ™ll discover that you can see the right hand asВ just a single chord through the entire song while the left hand cycles through three notes. They like to make jokes about pop songs getting away with having only three chords, but that didnвЂ™t stop Bruno Mars from winning a Grammy with this one.

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